Female writers - Ecuadorian Literature

Eugenia Tinajero Martínez

Eugenia Tinajero Martínez (Quito, January 10, 1922 – April 6, 2009) was an Ecuadorian painter, university professor and writer. Tinajero Martínez hailed from a distinguished lineage, being the descendant of renowned Ecuadorian authors Luis A. Martínez and Juan Leon Mera. Her best-known literary work is “Leyendas indígenas” (1954), a collection of stories that focus on the Indian motif. She spent several years in the United States and was a respected professor at Harvard University, where she had previously studied. The majority of her artwork is held in both public and private collections in the Ecuadorian cities of Quito and Ambato.

Carmen Inés Perdomo Gutiérrez

Carmen Inés Perdomo Gutiérrez (Esmeraldas, 1973) is an Ecuadorian poet and journalist. She has contributed to magazines and periodicals in Ecuador. She is the author of three poetry collections: “Silencio en llamas” (2005), “Naufragio del Canto” (2008), and “Tempestad en la Floresta” (2013). Her poems have also been included in several national and international poetry anthologies. She obtained third place in the Gabriela Mistral women’s poetry contest. During the 2007–2009 biennium, she held the position of secretary of the Ecuadorian Society of Writers (SEDE).

Gilda Holst

Gilda Holst Molestina (Guayaquil, 1952 – Guayaquil, October 22, 2024) was an Ecuadorian writer and university professor. Known for her use of irony and humor, her works addressed themes of gender inequality and societal norms. She authored three notable short story collections: Más sin nombre que nunca (1989), Turba de signos (1995), and Bumerán (2006), as well as the novel Dar con ella (2000). Her work was included in several anthologies, including Cruel Fictions, Cruel Realities: Short Stories by Latin American Women Writers (1997), edited and translated by Kathy S. Leonard. In 2021, Editorial Cadáver Exquisito released her Obra completa (Complete Works). Holst was also a key figure in Ecuadorian literature, a professor at the Universidad Católica de Santiago de Guayaquil, and director of its School of Letters.

Maritza Cino

Maritza Cino Alvear (Guayaquil, 1957) is an Ecuadorian poet and university professor. She has published 8 poetry collections and a collection of 23 short stories entitled “Días frívolos” [Frivolous Days]. Her poems have appeared in Latin American and Spanish magazines, as well as U.S.-based online magazines. In addition, some of her poetry has been translated into English, Italian and French. Her latest poetry collection “El temblor de los huertos” [The Tremor of the Orchards] was published in 2022.

Maria Cecilia Corella

Maria Cecilia Corella Ramírez (Daule, September 9, 1967) is an Ecuadorian writer, poet, and cultural promoter. She has authored five books: “Poesías amatorias,” “Poemas Corellanos,” “La voz de los Daulis,” “Versos caminantes,” and “Daulis.” From 1985 to 2015, she was the editor of La Voz de los Daulis, a literary, historical, and cultural magazine. She hosts a local cultural TV show Viernes de Cultura y literatura on DV Daule Vision. She is presently the president of the Corporación Cultural Daule, whose cultural event, Sofá Cultural, aims to promote Daule’s literature, dance, music, and other local art forms. She is a member of the World Hispanic Union of Writers and the Union of Writers and Artists of Tarija.

Rocío Durán-Barba

Rocío Durán-Barba (Quito, 1956) is a Franco-Ecuadorian writer, poet, novelist, essayist, journalist, and painter. With over seventy published works across multiple genres, her literary contributions span both Spanish and French, often exploring themes of identity, culture, and revolution. Durán-Barba’s debut novel, París sueño eterno (1997), earned critical acclaim and was translated into French by Claude Couffon. In addition to her literary career, she has been an influential figure in academia, cultural diplomacy, and the arts, having worked with UNESCO and exhibiting her artwork internationally. Durán-Barba currently resides between Paris and Geneva.

Etelvina Carbo Plaza

Etelvina Carbo Plaza (Daule, Ecuador, March 18, 1834 – Lima, Peru, March 22, 1902) was an Ecuadorian poet known for her contributions to Romantic poetry. Raised in an intellectual environment, she began writing poetry as a teenager, focusing on themes of love, patriotism, and devotion to God. Her work reflected personal and political struggles, particularly influenced by her family’s exile due to political upheaval. Some of her notable poems include Las Flores de mi Jardín and La Partida. Despite not gaining widespread recognition during her lifetime, she posthumously became a significant figure in Ecuadorian literature, with schools and literary societies established in her name. Her poetry remains a testament to 19th-century Ecuadorian Romanticism.

Lola Orbe Carrera

Lola Orbe Carrera, born Luz María Dolores Orbe Carrera (Otavalo, March 31, 1920 – Quito, August 16, 2004) was an Ecuadorian writer, poet, teacher, director of schools and colleges in the province of Imbabura. In 1954, UNESCO awarded her a scholarship to Uruguay and Argentina. She wrote poetry, essays, hymns, biographies, among others. She admired and corresponded with the Chilean poet Gabriela Mistral.

Mariana Cristina García S.

Mariana Cristina García Salvador (Quito, June 8, 1955 – Quito, 1985) was an Ecuadorian poet, essayist and journalist. Her poetry works include: “De Alfa a Omega” (1972), “Cantos Transparentes” (1974), “De la voz Innumerable” (1977), “Con la prisa de la vida en las manos” (1983), and “Voces para recordar” (1987, published posthumously). As a journalist, she collaborated with some of the country’s newspapers and magazines in the 1970s and 1980s, including El Comercio and Diario Expreso.

Juliana Espinosa R.

Juliana Espinosa R. (Ibarra, 1986) is an Ecuadorian writer and social communicator. Her literary debut novel “Las Manos de Alondra” (2017) remains her only published work to date. The story revolves around a young girl who confronts the profound loss of her mother and sets off on a transformative journey of self-discovery. Espinosa skillfully explores themes of family, love, resilience, and personal growth, captivating readers with her sincere and engaging narrative. “Las Manos de Alondra” serves as a testament to Espinosa’s potential as a distinct and promising author.

Mariella Toranzos

Mariella Toranzos Narváez (Guayaquil, January 24, 1988) is an Ecuadorian journalist, poet, and editor. Before becoming the Society editor for the daily newspaper Diario Expreso, she worked at the paper as a news reporter covering politics, and, as the sub-chief of its Guayaquil section, covering cultural topics. She has also written features on contemporary Ecuadorian authors, helping to introduce them to wider audiences. As a poet, she has participated in the Ileana Espinel Poetry Festival as well as other literary events in Guayaquil.

Saranelly de Lamas

Saranelly de Lamas, aka Saranelly Toledo de Lamas (Riobamba, 1933 – Guayaquil, 1992) was a poet, journalist and fiction writer. As a journalist she was the Cultural Correspondent of the newspapers El País and Occidente (Cali, Colombia) and El Tiempo de Bogota (New York, U.S.) and editor of the Art Page of the newspaper El Nacional (Caracas, Vezenuela). Her major works include: “Revenant” (1961), “Crónicas para un lugar desconocido” (1982) “Orfeo y otros cantos,” and “Los peces de jade cantan a la Paz.”

María Luisa Lecaro

María Luisa Lecaro Pinto (Guayaquil, Ecuador, date of birth unknown – date of death unknown) was an Ecuadorian poet and pioneering feminist known for her avant-garde poetry and progressive social critiques. Writing as “Tatá” for her poetry and “Sor Marisa” in feminist essays, she contributed to Savia, Ecuador’s foremost avant-garde journal, where her work stood out for its surrealism, irony, and bold departure from the sentimental norms of the time. In 1927, Lecaro gained recognition when she placed second in Savia‘s poetry contest, with Hugo Mayo, a leading figure in Ecuadorian avant-garde, taking first. Lecaro’s essays fiercely challenged the patriarchal influence of the Catholic Church, advocating for women’s independence and self-reliance in a socially restrictive era. Although her work was largely overlooked for decades, her contributions were rediscovered in 1999 through Rodrigo Pesántez Rodas’s anthology Del Vanguardismo hasta el 50, which solidified her place as a significant voice in Ecuadorian literature and early feminist thought.

Martha Lizarzaburu

Martha Lizarzaburu, born Martha Emilia Lizarzaburu Dávila (Quito, June 14, 1940 – January 27, 2019) was an Ecuadorian poet and worked as literature teacher for 29 years at the “24 de Mayo” School in Quito. She published 3 poetry collections: “Aljibe” (1964), “Memorial de la sombra y la ternura” (1973), and “Ataduras para el viento” (1977). Her work was also featured in the poetry anthology “Antología de ocho poetas tanáticas del Ecuador“ (2005) edited by Rodrigo Pesántez Rodas.

Elsy Santillán Flor

Elsy Santillán Flor (Quito, December 23, 1957) is an Ecuadorian poet, fiction writer, playwright, and author of children’s literature. She’s also a lawyer by profession and has worked in Ecuador’s courts. From 1999-2002 she was secretary of Ecuadorian Society of Writers (SEDE). She was the recipient of the Jorge Luis Borges National Prize and the Pablo Palacio Prize. One of her plays received honorable mention at the Joaquín Gallegos Lara Prize in 2011. The majority of her short fiction was collected in “Los miedos juntos” (2009). In 2021, she published her latest work, a horror novel titled “Fantasmagórica aventura del grupo 21” [The Phantasmagorical Adventure of Group 21]. Some of her works have been translated into Hungarian and French.