Kerly Palacios

Kerly Palacios Escobar (Guayaquil, 1994) is an Ecuadorian writer and poet. She has published two poetry collections, “El desvelo de mis versos” (2018) and “Secuelas” (2020). In 2021, she published her first novel, “No puedo hacerte el amor,” an erotic romance about a couple who cannot consummate their marriage. She claims to have written it in just four hours in December 2020, while character development and editing took another six months. She has taken part in the International Book Festival of Guayaquil.

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Miguel Álava Alcívar

Miguel Álava Alcívar, sometimes Miguel Alavalcívar (Portoviejo, 1988) is an Ecuadorian novelist, poet and philosophy professor. He has lived in Guayaquil for many years. His novels include Universos paralelos (2004), Amada inmortal (2005), El mundo contado al revés (2011) and El Trapecista (2012), which he has referred to as his best work. In 2012 he became a member of the Guayas Chapter of the House of Ecuadorian Culture. He is on the editorial team of the International Journal of Social Science and Economics Invention.

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Bruno Sáenz Andrade

Bruno Sáenz Andrade (Quito, September 13, 1944 – Quito, January 11, 2022) was an Ecuadorian writer, poet, essayist and literary critic. He authored numerous books including: “El aprendiz y la palabra,” “Relatos del aprendiz,” “Comedia del cuerpo,” “1944, La promesa y la siega” and “La noche acopia silencios.” A lawyer by profession, in his working life he served as director of the School of Prosecutors in the Public Ministry, as well as Undersecretary of Culture. He was a regular speaker at the House of Ecuadorian Culture, the Benjamín Carrión Cultural Center, and the Rayuela bookstore, among other places. He was an emeritus member of the Ecuadorian Academy of Language since 2014. In 2003 his poetry book “Escribe la inicial de tu nombre en el umbral del sueño” won the Jorge Carrera Andrade Award.

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Jennie Carrasco Molina

Jennie Carrasco Molina (Ambato, 1955) is an Ecuadorian novelist, short story writer, poet, journalist, editor, university professor and holistic therapist. She has worked with the press and on women’s issues. Her works include the short story collection “La diosa en el espejo” (1995), the poetry collection “Arañas en mi vestido de seda” (2001), and the novel “Viaje a ninguna parte” (2004). In 2011 her poetry collection “Confesiones apocalípticas” won the prestigious Jorge Carrera Andrade Prize. Some of her poems have been translated into English.

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Sergio Nuñez

Sergio Núñez Santamaría (Santa Rosa, Ambato, October 7, 1896 – Quito, 1982) was a novelist, short story writer, poet, playwright, literary critic and pedagogue. As a poet, he wrote in verse and prose, and was greatly influenced by the modernismo literary movement of Ruben Dario of Nicaragua. In 1918 he published his first poetry book, “Hostias de fuego,” with a prologue by Medardo Ángel Silva. He belonged to the “30 Generation,” a group of authors from the 1930’s Ecuador who used social realism in their fiction to denounce how Indians were treated in Ecuador. His novellas “Juego de hacienda” and “Circunferencia” are considered Indigenista fiction. A private school in Guayaquil bears his name.

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Manuel María Palacios Bravo

Manuel María Palacios Bravo (Cuenca, January 9, 1891 – 1972) was an Ecuadorian poet, writer, and Catholic priest known for his deeply spiritual and melancholic works that blended religious themes with modernist and neoclassical influences. His poetry often reflected on life, death, and the human condition, with notable works including Chabita (1922), La elegía del Pichincha (1923), and Cantos de ayer (1953). He was also a member of the Academia Ecuatoriana de la Lengua and played a key role in Ecuador’s cultural and religious spheres, particularly through his involvement in the construction of Cuenca’s Cathedral. In 1957, the University of Cuenca included a selection of his poems, curated by Rigoberto Cordero y León, in the anthology Presencia de la Poesía Cuencana.

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Luis F. Veloz

Luis F. Veloz (Quito, 1885-1959) was an Ecuadorian poet and sculptor. Along with his friends Aurelio Falconí and Julio E. Rueda, he founded Altos Relieves, one of the first magazines to publish young poets influenced by modernismo in Ecuador. His poems were published in Altos Relieves and the magazine Revista de la Sociedad Jurídico-Literaria. He wrote about art and translated some of the poems of the Italian poet Gabriele D’Annunzio into Spanish. He stopped writing verses to focus on sculpting. In 1918, the Ecuadorian government sponsored him to go the school of Fine Arts in Rome, where he lived for many years. He’s best remembered for his controversial marble statue La Bacante y el Fauno, which was commissioned by the Illustrious Municipal Council of Quito (Ecuador) and created in Rome. Today this statue can be found in the Malecon 2000 in Guayaquil. A collection of his poems and some plays have yet to be published.

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Felix Valencia

Felix Valencia Vizuete (Latacunga, August 31, 1886 – Quito, January 3, 1919) was an Ecuadorian poet often called the “Poet of Sorrow.” During his lifetime he published the books “Cantos de vida y muerte” [Songs of Life and Death] (1911) and “La epopeya de San Mateo” [The Epic of Saint Matthew] (1914). In 1934, his friend, writer and journalist Alejandro Andrade Coello, published “Los poemas del dolor” (Poems of Sorrow), a posthumous collection of his poems. Valencia’s life and work were marked by loneliness, misanthropy and melancholy.

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Alfonso Moreno Mora

Alfonso Moreno Mora (Cuenca, April 21, 1890 – Cuenca, April 1, 1940) was a modernist poet. He co-founded the magazine Páginas Literarias with his cousin Miguel Moreno Serrano in 1918, becoming its editor in chief. He published poems in this magazine under the pseudonyms Enrique de Rafael and Raedel. He also promoted the work of modernist poets such as Argentina’s Leopoldo Lugones and Nicaragua’s Rubén Darío. Some of the magazines that published Moreno Mora’s poems include Austral, Azul, Proteo, and América Latina. He also contributed to the daily newspapers Diario del Sur, La Nación, and El Mercurio. He was a member of Ecuador’s so-called Decapitated Generation and authored works such as “Visión lírica,” “Epístola a Luis Felipe de la Rosa,” and “Elegías.” On April 1, 1940, shortly before his 50th birthday, Alfonso Moreno Mora passed away in his hometown. Eleven years later, his brother and fellow poet Manuel Moreno Mora published “Alfonso Moreno Mora. Poesía,” a compilation of his literary work.

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María Paulina Briones

Mara Paulina Briones Layana (Guayaquil, 1974) is an Ecuadorian writer, editor, and professor. She currently teaches Journalism and Literature, as well as Journalistic Projects, at Casa Grande University and the University of the Arts (both in Guayaquil). She also runs the publishing company Cadaver Exquisito, which she founded in 2012, and has been the director of La Casa Morada, a cultural initiatives company that promotes reading, since 2009. She is featured in the bilingual poetry collection “Lengua me has vencido” (2017). Some of her stories have appeared in the Latin American Culture magazine Guaraguao, as well as the virtual magazines El Otro Lunes and Matavilela from Ecuador.

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Jorge Tigrero Vaca

Jorge William Tigrero Vaca (Guayaquil, 1986) is an Ecuadorian poet, writer, journalist and university professor. He has published books of poetry, short stories and essays on pedagogy. He is a member of the Organization of Ibero-American States (OEI), an international governmental body for cooperation between Latin American countries in the field of education, science, technology and culture. He is also a member of the Global Network of Writers in Spanish (REMES). Tigrero works as a professor at the Casa Grande University, ECOTEC University and University of the Arts.

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Carlos H. Endara

Carlos Honorato Endara Garzon, pseudonym Delittante (Quito, December 19, 1896 – Quito, August 2, 1938) was an Ecuadorian poet, essayist, journalist and literary critic. He founded and directed the magazines Ecos Juveniles, Atenea, Bolas y Boladas, and Vida intelectual. He was also a contributor of the magazines Letras and Renacimientos. He worked as a journalist for El Dia before founding Figaro in 1925, an elegantly presented magazine illustrated with Lattore’s satirical caricatures. In 1924, he published “La alcoba de los éxtasis,” a collection of chronicles and short stories.

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Miguel Moreno Serrano

Miguel Moreno Serrano (Cuenca, July 27, 1886 – Cuenca, January 19, 1943) was an Ecuadorian poet and literary critic. He had a PhD in biology as well as a medical degree in surgery, but he never practiced. He worked as the director of the Bank of Azuay, secretary of the University of Cuenca, and treasurer of Public Assistance of Azuay. He was the son of the poet Miguel Moreno Ordóñez.

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J.O. Llaguno

Jerónimo Orión Llaguno Márquez (also known as J. Orión Llaguno and J. O. Llaguno) (Puebloviejo, September 30, 1869 – Guayaquil, May 16, 1965) was an Ecuadorian poet, journalist, and civic leader. He was a founding member of the Circle of Journalists of Guayas in 1936 and also wrote the hymn for El Universo, one of Ecuador’s oldest newspapers. Llaguno’s poetry, rooted in Romanticism, is best known through works such as Frondas poéticas (1909) and Resonancias de mis selvas (1953). Over his career, he contributed significantly to Ecuadorian literature and journalism, receiving numerous accolades, including being named Redactor Vitalicio (Lifetime Editor) of El Universo.

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