Poets - Ecuadorian Literature

Kevin J. Enríquez Urresta

Kevin J. Enríquez Urresta (Quito, Ecuador, 2001) is an emerging Ecuadorian poet and architecture student who has gained recognition for his introspective and emotionally resonant poetry. While originally connected to various branches of the arts, he chose to dedicate himself to poetry around five years ago, using it as a means of self-expression and exploration. His work often delves into themes of identity, emotional connection, and fleeting moments of consciousness, as showcased in his debut book Destellos de conciencia, published as part of Editorial El Ángel’s “Ópera prima” collection.

David Sánchez Santillán

David Sánchez Santillán (Quito, 1981) is an Ecuadorian poet, lawyer, and Doctor of Jurisprudence. He has made notable contributions to Ecuadorian poetry, winning several awards, including the Gonzalo Escudero National Poetry Prize. He has published multiple poetry collections and participated in various national and international literary events. Alongside his literary career, Sánchez Santillán has a background in law, with a specialization in Environmental Law and Community Development, which complements his literary work and reflects his diverse professional interests.

Vicente Cuesta Ordóñez

Vicente Cuesta Ordóñez (Cuenca) is an Ecuadorian poet, writer, and physician known for his enduring dedication to Manta’s cultural scene. He was an active member of the Grupo Cultural Manta for nearly 50 years. Historian José Elías Sánchez Ramos described him as an “indefatigable writer and poet.” His poetry collections include Al Umbral del Silencio (1999) and Por los rincones del tiempo – Sonetos de una vida (2013). He also authored the historical study Historia de la Medicina en Manta (History of Medicine in Manta).

Ramiro Dávila Grijalva

Ramiro Dávila Grijalva (Quito, 1945) is an Ecuadorian poet and playwright known for his literary works that explore cultural and historical themes. He is the author of El Canto de las Sirenas (1982), a notable collection of poetry, and the play Tragedia de la Prisión y Muerte de Atahualpa (1988), which dramatizes the tragic fate of the Inca ruler Atahualpa. His other works include the play Leonor Yupangui, Esther de las Indias (2018), which is inspired by indigenous legends and history, as well as other plays like El Cóndor Enamorado and La Leyenda del Tío Lobo y el Sobrino Conejo. His poetry collections also include Historia de un Jilguero and Jugar Rayuela, Mi Voz y Otros Delirios (2007). Dávila Grijalva’s contributions have been recognized and preserved in various Ecuadorian libraries and cultural institutions.

Iván Petroff Rojas

Iván Petroff Rojas (Cuenca, 1956) is an Ecuadorian writer, poet, and educator known for his contributions to contemporary literature. A prominent figure in the “new Cuenca literature” movement of the 1980s, he has published a diverse body of work that includes poetry, short stories, and essays. His writings often explore themes such as mythology, magic, and music, with a focus on the depth of human experience. Notable works like En las formas del amor y la guerra (1989) and Fuego cruzado (2020) showcase his ability to blend cultural and social commentary with narrative art. Petroff Rojas has also been influential in the cultural scene of Cuenca, serving as the president of the Casa de la Cultura Núcleo del Azuay and teaching at the University of Cuenca. His dedication to literature and culture has made him a significant voice in Ecuadorian arts and letters.

Jorge Ismael Gandú

Jorge Ismael Gandú, pseudonym of José Miguel Granda Granda (Celica, Loja Province of Ecuador, 1904 – Medellin, Colombia, Unknown) was an Ecuadorian poet and songwriter, renowned primarily for his significant contributions to the pasillo genre, a type of Latin American music. While his literary endeavors culminated in the publication of the poetry collection “Hontanar” in 1937, a work dedicated to his mother, wife, and homeland, it was his role as a lyricist for numerous pasillo songs that truly cemented his fame. Gandú’s ability to weave emotional depth into his lyrics resonated with composers and audiences alike, leading to collaborations with notable musicians such as Nicasio Safadi, who set Gandú’s poem “De corazón a corazón” to music.

Gerardo Chiriboga

Gerardo Chiriboga (Riobamba, 1895 – Quito, 1966) was an Ecuadorian genealogist, journalist, and poet, known for his diverse contributions to the literary and historical fields. Among his literary works, “Minuto muerto, poemas” (1934) stands out as a compelling collection of poems. Additionally, he authored “Galápagos: El hombre, la tierra y el paisaje” (1948), a comprehensive exploration of the Galápagos Islands. This work is part of a significant body of literature that emerged post-World War II about the archipelago, following the departure of the American base. His literary efforts, including his recognized contributions to poetry in the anthology “Antología de poetas Riobambeños” (Anthology of Poets from Riobamba) (1963), further cement his place in Ecuador’s literary history.

Cristóbal Cevallos Larrea

Cristóbal Cevallos Larrea (1902-1978), holding a Doctorate in Law, was a multifaceted Ecuadorian intellectual, poet, writer, journalist, teacher, and jurist who had a significant influence on Ecuador’s cultural landscape. Cristóbal Cevallos Larrea demonstrated his dedication to cultural enrichment by leading the Chimborazo branch of the Casa de la Cultura in Riobamba, serving as a founding member in 1953 and later as its president in 1964, as well as heading the Ateneo del Chimborazo. In legal and educational spheres, Larrea held the positions of Minister and President of the National Court of Justice and taught Constitutional and Political Law and Civic Studies at the Colegio Nacional Maldonado in Riobamba for many years. Among his literary works, “La Gesta Amazónica” is renowned as an epic poem dedicated to the Amazon.

Gustavo Vallejo Larrea

Gustavo Vallejo Larrea (Riobamba, 1905 – Quito, 1961), a journalist, poet, legislator, and advocate for education, founded the “Campaña Nacional de Alfabetización” (National Literacy Campaign) in 1948. As president of the National Union of Journalists (UNP), he led this movement, significantly reducing illiteracy rates across Ecuador for 17 years. His dedication, fueled by the belief in education’s pivotal role in national development, propelled the campaign to isolated areas, urban suburbs, and even prisons. Additionally, Vallejo played a significant role in shaping the 1945 Ecuadorian Constitution, contributing to its clarity and the articulation of progressive principles. Vallejo’s legacy continues, with a school in Quito named in his honor and a bust in Riobamba.

Juan Félix Proaño Castillo

Dr. Juan Félix Proaño Castillo (Riobamba, July 20, 1850 – Quito, July 30, 1938) was an Ecuadorian priest, theologian, writer, educator, and political figure, whose extensive contributions spanned the late 19th and early 20th centuries, significantly shaping Ecuador’s cultural and religious landscape. Celebrated for founding “El Templo del Sagrado Corazón de Jesús” in 1892, a newspaper that integrated religious teachings with cultural and literary discourse, Proaño stood firm against the liberal reforms of his era. This conviction led to his exile, during which he persisted in his scholarly and pastoral work. His historical drama “Quisquís” is particularly notable for its portrayal of Incaic civilization, underscoring his commitment to chronicling and preserving Ecuador’s rich historical and cultural heritage.

Carlos Arturo León Romero

Carlos Arturo León Romero (June 25, 1886, Riobamba – December 19, 1968, Quito) was an Ecuadorian lyricist, poet, playwright, and distinguished lawyer. Born into a family with a rich legal heritage, he carved a niche for himself not just in the courts but also on the cultural stage of Ecuador. His works spanned across various genres including drama, poetry, and novels, showcasing his versatility and deep engagement with the socio-political themes of his time. León Romero’s contribution to Ecuadorian literature and theater is profound, with plays such as “Reparación,” “El Recluta,” and “La Huérfana” earning critical acclaim and popular success. His establishment of the Teatro Daniel León further cemented his legacy as a patron of the arts, providing a platform for the performing arts in Ecuador.

Ambrosio Larrea

Ambrosio Larrea, also known as Father Ambrosio Nicolás Larrea y León (born in Riobamba, Ecuador, on December 7, 1742, and died in Faenza, Italy, on September 19, 1796), was a Jesuit priest, poet, and intellectual whose influence extends beyond religious realms into literature and progressive thought. Celebrated for his poetry, Larrea found his voice during his exile and was recognized after his death for his contributions to the neoclassical and Parnassian movements. His work, mainly created while displaced, showcases a deep engagement with Enlightenment ideals and a strong sense of American identity. His poetic oeuvre includes poignant tributes, such as those dedicated to the sepulcher of Clavijero, reflecting his keen insight and stylistic elegance. Though his body of work is not extensive, Larrea’s writings are cherished for their expressive depth and refinement.

Ángel Leónidas Araújo Chiriboga

Ángel Leónidas Araújo Chiriboga (Riobamba, October 21, 1900 – Quito, February 15, 1993) was a figure of remarkable versatility and profound influence within Ecuador’s cultural landscape. His diverse career spanned composition, poetry, public service as a tax inspector for the Ministry of Finance, hotel management, and a notable tenure as editor-in-chief of the Estampa de Bogotá magazine, but it was his indelible contributions to the pasillo genre that cemented his legacy. This article explores the life and works of this distinguished Ecuadorian artist, whose talents bridged the realms of music and literature, leaving an enduring mark on his nation’s cultural heritage.

José Villacreses Vinueza

José Villacreses Vinueza (Riobamba, Ecuador, 1940) is an Ecuadorian author, poet, chemical engineer, and former athlete, renowned for his contributions to literature, science, and sports. Over the years, he has authored several notable books, including “Nervios de Guitarra” (2010), “Manantial de Ensueños” (2014), “Emoción Sensorial” (2016), and “Mi Vida Entre Poemas” (2019), each reflecting his deep emotional and sensorial engagement with the world. Villacreses’s multifaceted career spans across academia, sports, and literary realms.

Vicente Robalino

Dr. Vicente Robalino (Ibarra, 1960) is an Ecuadorian poet, essayist, and educator known for his extensive work in literature and academia. With advanced degrees from UNAM and PUCE, he has authored several books of poetry and essays, contributing significantly to Ecuador’s literary scene. As a professor at PUCE and a guest lecturer at Universidad Andina Simón Bolívar, Robalino has played a crucial role in shaping the appreciation and understanding of Latin American literature among students and peers.