Writers from Quito - Ecuadorian Literature

Lorena Salazar Suquilanda

Lorena Salazar Suquilanda (Quito, Ecuador, May 6, 1983) is a poet, clinical psychologist, and human rights advocate whose work interweaves creative expression with a commitment to educational inclusion. Known for her poetry, which explores themes of resilience and human complexity, she has contributed to notable anthologies like Con Ciertas Palabras and 10 Orillas and has performed at international poetry festivals such as Casa Bukowski’s “Mujeres.” Alongside her literary endeavors, Salazar has served as a university lecturer and consultant specializing in inclusive education for vulnerable populations, with a distinguished record of roles with UNESCO, Ecuador’s Ministry of Education, and various human rights organizations.

Manuel María Sánchez

Manuel María Sánchez Baquero (Quito, December 19, 1879 – July 28, 1935) was an Ecuadorian lawyer, educator, poet, and journalist who served as Minister of Public Instruction and rector of Instituto Nacional Mejía, where he championed educational reform. His poetry, including “Patria,” reflects themes of patriotism and social justice. A committed journalist, he co-founded the anti-government publications La Prensa and La Constitución. His legacy in Ecuadorian education, literature, and national identity endures, with numerous schools and public spaces named in his honor. In 1938, three years after Sánchez’s death, his family published a collection of his poetry titled Poesías, which includes many of his significant works.

Luis Aníbal Sánchez

Luis Aníbal Sánchez (Quito, February 3, 1902 – Quito, February 14, 1922) was an Ecuadorian writer and modernist poet known for his pioneering use of prose poetry. From a young age, Sánchez engaged in Ecuador’s literary circles, joining forces with fellow poets Jorge Carrera Andrade and César Ariosto Orellana to co-found the César Borja Literary Society, a group dedicated to literary innovation and expression. His most notable work, Palabras con Flordelina (1920), showcased his intense, emotional prose poems and included an epilogue by Gonzalo Escudero Moscoso. Sánchez contributed to several Ecuadorian literary magazines, including La Idea, Crepúsculo, and Los Hermes, and wrote an introduction to Escudero’s Los poemas del arte. His promising career was cut short by his untimely death at the age of 20, yet his work continues to be recognized for its impact on Ecuadorian modernist literature.

María Eugenia Paz y Miño

María Eugenia Paz y Miño (Quito, Ecuador, 1959) is an Ecuadorian writer and anthropologist known for her contributions to literature and cultural studies. She has published notable works across various genres, including the acclaimed novel La puerta del Ilaló (2008) and the political thriller Que no quede huella (2020). Paz y Miño’s writing often intertwines her anthropological background with her literary pursuits, exploring themes of culture, politics, and human relationships. She has received several prestigious awards, such as the Rumiñahui de Oro and the Fondo Editorial del Ministerio de Cultura del Ecuador.

Gertrudis de San Ildefonso

Sor Gertrudis de San Ildefonso (Quito, 1651 – Quito, January 29, 1709) was a revered Ecuadorian nun, mystic, and writer known for her role in promoting the cult of Nuestra Señora del Amparo in colonial Quito. Born Gertrudis Dávalos y Mendoza, she entered the Order of Saint Clare at seventeen, where she experienced mystical visions and helped unveil a miraculous image of the Virgin Mary. A prolific writer of religious texts, including hymns and prayers, her work contributed to Quito’s artistic and spiritual heritage, and she was declared venerable for her devout life and lasting influence.

Jerónima de Velasco

Jerónima de Velasco de Ladrón de Guevara (Quito, c. 1630 – ?) was a renowned 17th-century poet from the Real Audiencia de Quito, now Ecuador, who gained widespread recognition for her eloquent Baroque poetry. Celebrated by contemporaries, including the famed Spanish playwright Lope de Vega, who praised her as “divine” in his Laurel de Apolo, she was admired for her intellectual prowess and poetic skill. Velasco’s work was included in Jacinto de Evia’s Ramillete de varias flores poéticas (1675), though much of her own writing has not survived. She spent most of her life in Pasto, Colombia, where she also managed family affairs and raised her children.

Carlos Aulestia

Carlos Hugo Aulestia Páez (Quito, 1973) is an Ecuadorian writer, literary critic, and professor. He holds a Ph.D. in Latin American Literature from the Universidad Andina Simón Bolívar and is currently the dean of the Faculty of Communication, Linguistics, and Literature at the Pontificia Universidad Católica del Ecuador. Aulestia has authored works spanning fiction, poetry, and essays, including the novel La obscuridad (2016) and the short story collection Flaquita my love (1995). His research focuses on Ibero-American literature, with a notable contribution through his doctoral thesis on Ecuadorian poets Medardo Ángel Silva, César Dávila Andrade, and David Ledesma Vásquez.

Gaspar de Villarroel

Fray Gaspar de Villarroel (Quito, Kingdom of Quito, present-day Ecuador, 1587 – La Plata, Charcas, present-day Sucre, Bolivia, October 12, 1665) was an influential Augustinian priest, theologian, and archbishop in colonial Spanish America. Educated at the Universidad Nacional Mayor de San Marcos in Lima, he rose to prominence as a preacher in Spain, eventually being appointed Bishop of Santiago de Chile in 1637, where he led relief efforts during the 1647 earthquake. He later served as Bishop of Arequipa and Archbishop of La Plata (Charcas). Villarroel is also remembered for his significant theological writings, particularly Gobierno Eclesiástico Pacífico (1656), which addressed the relationship between church and state in the Spanish colonies.

Viviana Cordero

Viviana Cordero (Quito, August 3, 1964) is an Ecuadorian writer, playwright, and film director. She studied Modern Literature at the Sorbonne in Paris and began her career in 1990 by co-producing Sensaciones, the first Ecuadorian feature film made in 35mm. Cordero is known for her novels, including El Paraíso de Ariana (1994), El Teatro de los Monstruos (2000), and Mundos Opuestos (2010), as well as for her significant contributions to Ecuadorian theater and cinema. Her works explore themes of identity, memory, and societal roles, particularly focusing on women’s experiences.

Renato Gudiño

Renato Gudiño (Quito, July 31, 1950) is an Ecuadorian author known for his versatility across multiple literary genres, including fiction, science fiction, psychological narratives, and noir. Educated in Ecuador and Romania, Gudiño’s works often explore themes of identity, transformation, and the human experience, drawing on his cosmopolitan background. His notable publications include La Transmutada (2004), Destino de Papel (2007), Cataplumes del Amor (2008), and El Edén de la Tenue Luz (2009), and his stories have gained international recognition, with Cataplumes del Amor being translated into Romanian as Delirul Iubirii (2014).

Fabiola Solís de King

Fabiola Solís de King (Quito, Ecuador, October 8, 1936) is an Ecuadorian writer, clinical psychologist, and agronomist. Known for her penetrating exploration of human psychology, her work often delves into themes of mental health, gender, and the boundaries between reality and madness. She has published short story collections such as Al otro lado del muro (1978) and Mundo aparte y otros mundos (1983), as well as co-authored the pioneering research book La sexualidad femenina en el Ecuador (1987). Her work, characterized by experimental techniques, situates her among the leading Ecuadorian women writers of the 1970s. Her stories have been featured in several anthologies, both nationally and internationally, solidifying her as a significant voice in Ecuadorian literature.

Génesis Andrea Toapanta Ramos

Génesis Andrea Toapanta Ramos, also known as Andrea Toapanta (Quito, 2001) is an Ecuadorian poet known for her evocative and introspective style. Influenced by writers like Pablo Neruda and César Vallejo, she began writing poetry in her childhood and gained national recognition with her collection Puntos Suspensivos, which consists of eight poems and won second prize at the 3rd “David Ledesma” National Poetry Contest in 2021. Her work explores themes of love, loss, and existentialism, characterized by vivid imagery and emotional depth.

Juan Secaira Velástegui

Juan Secaira Velástegui (Quito, Ecuador, 1971) is a poet, essayist, and visual artist whose work delves into themes of suffering, resilience, and personal transformation. He has published several critically acclaimed poetry collections, including Construcción del vacío (2009; “Construction of the Void”) and No es dicha (2012; “It Is Not Happiness”), which won the Jorge Carrera Andrade National Poetry Prize. In recent years, Secaira has adapted his creative process in response to his diagnosis of Amyotrophic Lateral Sclerosis (ALS), incorporating visual art into his body of work. His 2023 collection Eclipsa los arribos (“Eclipses the Arrivals”) earned him the Paralelo Cero Poetry Prize, further cementing his legacy as one of Ecuador’s most poignant contemporary voices.

Alexis Naranjo

Alexis Naranjo Banda (Quito, 1947) is an Ecuadorian poet, university professor, art critic, and translator. He earned a Master’s degree in Linguistics from the University of Paris VIII and has published several notable poetry collections, including Profanaciones (1988; “Profanations”) and La piel del tiempo (1998; “The Skin of Time”), which won the Jorge Carrera Andrade National Prize. His work is known for its philosophical depth and rich language, influenced by both Latin American and Ecuadorian literary traditions. Naranjo’s poetry often explores themes of existence, spirituality, and the human condition.

Gustavo Salazar Calle

Gustavo Salazar Calle (Quito, Ecuador, October 3, 1966) is an Ecuadorian bibliographer, literary researcher, and historian. A corresponding member of the Academia Ecuatoriana de la Lengua since 2021, Salazar has dedicated over three decades to studying Ecuadorian and Ibero-American literature, with a focus on influential figures such as Benjamín Carrión and Rubén Darío. He has published 23 books, numerous scholarly articles, and has played a key role in the preservation of historical archives, including the Ecuadorian Consulate in Madrid and the Gaceta Judicial. His work continues to contribute significantly to the fields of literary and historical research in Latin America.